A Public Geeking Out over Batman
I love Batman. I have been a Batman fan for so long, that I have no
memory of a time in which I wasn't a fan of The Dark Knight. My
childhood bedroom was covered in Batman. A poster of Michael Keaton
as Batman was on the wall, below that was my giant plush Batman,
which sat in a custom made Batman chair that my Godparents had made
for me. All of this rested next to my bed, which was covered in
Batman bedsheets, and a Batman bed spread, near my Batman Converse
sneakers, not too far from my stash of Batman toys.
The first movie I was obsessed with was Tim Burton's original
“Batman” movie. I wore out a VHS tape of it. It's been said that
the version of Batman that to you IS Batman is the one that you grew
up with. To me, there are three versions of Batman that make up my
idea of what Batman is. The first are the two Tim Burton movies. The
second is the practically flawless “Batman: The Animated Series”
from the '90s. Third, is the version of Batman that I was first
exposed to, the version of Batman that won my little kid heart, the
1960s Adam West “Batman” TV series. After years of being looked
at as the somewhat “black sheep” of the Batman family, things
have dramatically changed in the past two years.
This all began with a news announcement that sent a shock wave of
excitement through the heart of every person who has loved the Adam
West series. The announcement was that merchandising rights has been
struck for what is now being called “Batman '66” between Fox and
DC Comics. Here is where the joy, and confusion begins. “Batman
'66” has spent decades mired in legal complications and red tape so
thick, it was assumed that it would never be figured out. People
trying to get to the bottom of the matter were met with misdirection
and denial from almost every party involved. Allow me to try to, as
simply as possible, guide you through this crazy web that's worthy of
a “Batman '66” plot line.
The
classic “Batman” TV series was produced by William Dozier's
Greenway Productions, through 20th
Century Fox. DC Comics owns Batman, the world, the characters,
everything. The series was made through an agreement with DC Comics,
the network ABC, 20th
Century Fox, and Greenway Productions. The show hits the airways in
January of 1966, and becomes a monster of a phenomenon. Popular
beyond anyones expectations, in the first year alone, merchandising
of the series brought in an estimated $75 million—and that's NOT
adjusted for inflation. The popularity of the series in turn sends
sales of the Batman comic book, which had been lagging, soaring.
Everyone is happy, and one could argue that it was the birth of comic
fan culture that dominates so much of our media today.
Despite only airing for three seasons—the series burned bright and
fast—it quickly became a syndication staple. I was born in 1985, my
mother was around for the first wave of Bat-Mania, and I was around
for the second that came with the blockbuster success of the first
Tim Burton film. That's when the question began to be asked “Why
isn't the Adam West series on home video?” You could get the 1966
movie, the summer big screen spin-off from the series, but not the
show itself. It was on TV, so you could see it, but in terms of
legally being able to own it, you were out of luck.
Come the DVD era, and the question began again “When we will get
the Adam West Batman on DVD?” In the decades since the series
premiered on ABC, things had changed. DC Comics had been bought by
Warner Brothers, who now owned the franchise rights to Batman, and is
where all the big screen versions of the character had been birthed
from since. That's when things begin to get complicated. DC/WB owns
the characters and media rights. Fox owns the series. The 1989
“Batman” film was designed to get Batman back to his roots, to
remind us that he was “The Dark Knight” and not the knight of
“Pow! Zap! Wham!”
The ping pong match began. Fox wanted to release the series, but
told people “Warner Brothers won't let us.” When asked, Warner
Brothers would say “We're not holding it up, It's DC Comics.”
When asked, DC Comics would say “It's not us, it's Warner
Brothers.” What? You're all under the same parent company, right?
That's when the rumors began to fly that DC and WB didn't want the
Adam West series out to “take away” from their dark and serious
version of the characters on the big screen. Then came the news that
part of the show was still owned by Greenway Productions, and the
children of producer William Dozier, who passed in the late '80s.
Legal experts came to the conclusion that the “Batman '66” pie
was so deeply cut up, that it would never be resolved.
This is why the news that Fox and DC had come to an agreement for
merchandising rights was a shock wave. The feeling was “Fox and DC
made a deal for something with Adam West Batman!? Are DVDs coming!?”
No, was the answer from both parties. Then things began to get really
interesting. Last year at the annual San Diego Comic Con, Warner
Brothers handed out vinyl tote bags covered in pictures from the Adam
West series, with a new logo that was the series logo, with the words
“Classic TV Series” underneath it. That fall, DC announced a new
comic book series “Batman '66.” A comic book of new stories, told
in the style of the Adam West series.
In keeping with the odd and strange journey that “Batman '66”
has taken to come to home video, the announcement that people had
been waiting decades to hear came from the most unlikely of places. A
tweet from Conan O'Brien. In January of this year, O'Brien casually
posted a picture to his twitter feed, of himself in the classic
George Barris designed 60s Batmobile. Since leaving NBC, Conan
O'Brien has set up shop on the lot of Warner Brothers, and the
caption on the tweeted picture was simply: “Very excited @WBHomeEnt
is releasing the Batman '66 Complete TV Series in 2014! The seat
smells like Adam West.” To put it mildly, the internet went crazy.
Warner Brothers was bombed with calls, e-mails and tweets. Everyone
wanting to know “Is this true?” By the end of the day, Warner
Brothers confirmed that yes, it was true. A good friend and I for
years would talk of our deep love of the Adam West series, and our
lament that it wasn't out on home video. We would take time to
acknowledged that in the face of real world problems, our deep
concern over this happening was pointless. In the face of war, death,
disease, starvation, poverty it means absolutely nothing. But man, we
wanted it so badly, we couldn't stand it. The day the news was
confirmed, I sent a screenshot of O'Brien's tweet to his phone with
the caption “It's happening.” The response was a simple “!!!!”
Last
month it came to be, November 11th
saw the release of “Batman: The Complete TV Series” in more than
one form. A deluxe blu-ray box set of all 120 episodes in sparkling
HD, packaged with an episode guide, an Adam West scrapbook,
reproduction vintage trading cards, and best of all—a Hot Wheels
Batmobile! Not to mention a standard DVD release, and the series in
HD on iTunes. The amount of joy, geekery, and ridiculous 9 year old
enthusiasm I have over this is insane, to the point that I even
question the intensity of my geeking out.
But I love this show. I love this show on a level that is really
crazy deep. Friends of my generation, who love the dark Tim Burton
films and the noir-esq animated series love it too. So much of the
show's style and terminology has been burned on my brain for most of
my life. From the bright pop-art look of the show, to the comic book
“Pow! Zap! Biff!” captions that accompanied every fight scene.
From the manic laugh of Cesar Romero's version of The Joker, to
Burgess Meredith's Penguin laugh, and Julie Newmar's version of
Catwoman.
From the labeling of everything with “bat-” in front of it, the
bust of William Shakespeare that activates the secret door to the
Bat-Poles, the bright red glowing Bat-phone and it's distinctive
ring. And, of course, that wonderfully bombastic and alliterative
narrator—producer William Dozier himself—reminding you to tune in
“Same Bat-Time! Same Bat-Channel!” I love it all. Oh, and I would
be remiss if I didn't mention an iconic theme song that has been a
part of international pop culture since it was first sent across the
airwaves.
Recently in a shop I frequent, I spotted something in their toy
section that I zoomed over to. A bobble head of the Adam West Batman,
sitting in the 60's Batmobile. I picked it up, and when I noticed
that the bobble head actually LOOKS like Adam West, I got a little
excited. When I say “I got a little excited” I mean “I was
geeking out in a way so hard that my brain had to remind me that I
was in public.” I left that day with the bobble head.
With Christmas being only a few weeks away, family asked me what I
would like. I told them I would like to get the Batman blu-ray box
set. A response came from my mother, who is now getting quite adapt
at her iPhone, and it simply read “We watched this together many
times. Many, many, many, many, many times.” It's true, and should I
get the box set for Christmas, odds are very good that I may revert
to my seven year old self for a few hours. Back to being the kid who
thrilled to every second that “Batman” was on my TV screen, in my
Batman shoes, and my Batman shirt. The only difference is that now I
may not own as many Batman clothes as I once did, but now I can have
“Same Bat-Time, Same Bat-Channel” anytime I want do.
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