Andyland, USA

Note: This column originally ran in The Loafer in December of 2015 to mark the 30th Anniversary of "Clue." I thought it had been uploaded here at the same time, and I recently found out it wasn't, nor was it archived on The Loafer's website.  If there’s one thing about Hollywood you can still count on these days, it’s the axiom that the true test of movies is time. Films that were hits can become forgotten footnotes, and films that were flops can become cherished classics. A shining example of this would be Alfred Hitchcock’s “Vertigo.” “Vertigo” wasn’t a hit at the box office, and critics hated it. Yet today “Vertigo” is not only considered to be Hitchcock’s masterpiece, it’s also considered by many to be finest film ever made.  There’s a film which falls into that category, flop now beloved. The film in question happens to my favorite movie. A movie that I can almost recite word for word, and a movie which celebrates its 30th anniversary this coming

Sometimes I can surprise people when I tell them that I still haven’t seen every movie made by my favorite filmmakers. This is partially by circumstance and partially by choice--it’s nice to know there are still new to me Billy Wilder films out there in the world. There’s now one less new to me Wilder film as I’ve seen Wilder’s 1957 comedy “Love in The Afternoon”--which makes its blu-ray debut from those knights of the vault Warner Archive.  “Love in The Afternoon” is a romantic comedy starring Gary Cooper, Audrey Hepburn, and Maurice Chevalier. The film is the first of twelve films Wilder would write with I.A.L. Diamond--one of the finest screenwriting partnerships in history. “Love in The Afternoon” centers around a French private eye (Chevalier) who is tracking down a lothario businessman (Cooper) and keeping an eye out on his numerous affairs. At the same time, our detective tries to keep all these torrid details away from his young daughter (Hepburn).  When the hus