Andyland, USA

Picture it! Scilly, 1922! OK, actually Andy Ross’s Childhood Bedroom 1993. I had been given as a gift the dream attachment for my beloved Sega Genesis, the amazing Sega CD. For those of you young children who have only grown up in the era of XBox and Playstation, it may seem strange that there was once a time when the idea of playing a video game off of a compact disc was mind blowing. But it was, and I was fully ready to have my mind blown. To use a slogan of Sega’s ads of the era, I was ready to enter “The Next Level.” The Sega CD model I had was the second one, the smaller model designed to go with the slimmer Genesis that had been introduced to the market. I had the first Genesis, the larger one, but the Sega CD came with an extension block that allowed it to partner it on the original model. You attached the Sega CD to your Genesis by a special connector on the side of system. The Sega CD came with a game to get you going, as was the norm with gaming systems at the time. Th

I come to you again this week with another pair of blu-rays from those master celluloid handlers at Warner Archive. First up we have 1960’s “Where The Boys Are,” a defining teen picture of the era by MGM, and the film largely responsible for kicking off the whole cycle of 1960s beach films. The other is 1955’s “Pete Kelly’s Blues” a film starring, produced, and directed by Jack Webb--TV’s Joe Friday. Part of a deal Webb had made with Warner Brothers when he was setting up the original big screen version of “Dragnet” in the ‘50s.  “Where The Boys Are” was set for the screen before the book it was based on had been released. Producer Joe Pasternak snatched up the rights to the book by Glendon Swarthout, which was originally titled “Unholy Spring.” Pasternak, strongly feeling “Where The Boys Are” would be the better title, persuaded Swarthout to change the book’s title. Pasternak also felt he could use the film as a starring vehicle for one of the stars of MGM’s record labe